Monday, May 8, 2017

Monday Maker - Lava Living

Hello Kirsty, 

Thank you for sharing in our BrisStyler interview. Now, let's get to know this label of yours, Lava Living.

Were you creative as a child & do you come from a creative family?

Very much so to both questions. Art was always my favourite subject, and where I excelled. My parents were very cultured people, free thinking and they mixed in creative circles. My father originally trained as a signwriter and he kept a sketchbook full of fantastic sketches and animations. I wish I knew what happened to that sketchbook.

Both of my parents were mad about classical music and opera which was always playing in our little house in Norman Park, with Dad pretending to be the conductor. He eventually became an amateur opera singer. And he also became a talented quilt maker later in life.

Mum was an avid reader and became a freelance writer for Mode Magazine & Queensland Homes and my brother is a talented furniture designer and maker.

So how would you describe your work Kirsty?

Modern shibori textile design to suit the sophisticated bohemian.

                                                                                          
Would you say your work has evolved since you started?

In the beginning when I started shibori and indigo dyeing, I was so captivated by it that I would lose sleep at night thinking about my next creative session. I would be up in the morning at the indigo vat before I'd even had a cup of tea!

Although I had some very early successes I also had many failures and lessons learnt by mistakes.
I now have developed a repertoire of techniques and designs that really work depending on the textile I am working with and the product I am making. I still lose sleep thinking about new designs, but I guess that proves my passion for it.

How did you start selling on Etsy?

I opened my Etsy shop in 2012 when I was creating screen-printed hand-made paper and some jewellery, but I only listed a few things and didn't commit to it or maintain it. It wasn't until early 2016 when I felt I had more of an artistic identity, that I transformed the Lava shop with new branding and shibori collections on Etsy and social media.                         
 
Where does your inspiration come from?                                                  

I'm inspired by the natural world and people who stand up for environmental protection and equality in all living creatures. People like Jane Goodall and the Dianne Fossey. Ethi-cool design brands inspire me as well, such as @miomojo_italia.

I've recently discovered the art of Shepard Fairy @obeygiant who does amazing screen prints for amplifierfoundation.org "art machine for social change"

How is your work eco friendly?

Often I buy commercial end of rolls and remnant fabric from Reverse Garbage and fabric stores along with upcycling bed and table linen from op shops. I even reuse shibori scraps.




















What is your workspace like?

Under my house is my 'work cave' ( it's cool and there is not much natural light) this is where I do all my shibori and sewing. Plus I have a small showroom.

Out the back is where I do the indigo dyeing. The vat sit inside the opening of a small garden shed and I have a table set up in front of it under a canopy of palm trees. 

This is where I dip and dye and oxidise my shibori bundles. Then rinse, unbind, untie, unpick and hang on the line.

What is your favourite thing to make?

Currently it is a collection of cross body tote bags made from 'Australian Super Cotton'. A new and unique textile, grown, spun and woven in Australia.
























Where do you see your creative journey taking you in the next 12 months?

I'm looking forward to experimenting more with new shibori techniques and I'd like fill up my calendar with more events. I'm also planning on improving my branding image. So much to do, so little time.

Do you have a top tip to others wanting to break into the creative market?

Always trust your instincts.

























What's a typical creative day for you?

It varies, for example I usually do all my shibori over a few days until I have a decent collection. After washing, drying and ironing all the pieces, I then spend a few days back in the cave designing, cutting and sewing the pieces into a variety of items.

Do you have a favourite quote?

'Always follow the will of Allah, but don't forget to tie up your camels.' - Unknown 

What kind of music do you like to listen to while you work?

I like 'SBS Chill' or 'Buddha Radio'.

Do you have a favourite handmade item that you have bought?

I have a Japanese linen jacket created by Gillit of Massuri. 

And where can we find you online?


























How did you find out about BrisStyle?

From another BrisStyle member I met at a market. 

Why did you become a member?

To connect with other makers, gain support, and be exposed to further opportunities.
  
Why do you craft?

I studied art casually for approx. 16 years at the BIA and experimented with many art forms, but I felt most alive and engaged when I did a workshop and a couple of semester blocks in Sculpture.
I love working with my hands and to see something transform before my eyes into a piece of art is truly rewarding.

I see craft as something that brings art into your everyday life rather than being something to view and admire once in a while.

Thanks so much Kirsty, it was lovely getting to know you a bit more and we look forward to seeing your beautiful creations a bit more in the future.
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Monday, April 24, 2017

Tricia Smout

Today we interview long time artist Tricia Smout.

Were you creative as a child & do you come from a creative family?

My mother knitted and sewed in any spare time she had. Since I was a little girl, I have enjoyed playing with paper, yarns and fabric, and I made my own clothes in high school and university. 

After a career of science research and teaching, and then raising a family, I finally got back to creating artwork thirty years ago.

How would you describe your work?

I love working with all types of textiles … fibres, paper, yarns and fabrics. The tactile qualities of the materials give me tremendous pleasure, and I also delight in playing with different colour combinations.

My ‘grande passion’ is calligraphy and lettering, and in addition to legible calligraphy commissions, I use letters, words and symbols as the inspiration to create innovative hangings, artist books, sculptures and wearable art using a wide range of techniques.


I had a fabulous year as the 2012 Artist-in-Residence at Brisbane Botanic Gardens creating many collaborative works … www.triciasmout.blogspot.com.au.

How has your work evolved since you started?

My original calligraphy work was only on paper or card. In 1993 I did a weekend workshop with famous English calligrapher Pat Russell, and this inspired me to put lettering on to fabric. 

I now try to include lettering in as many different forms as possible …bookmaking, embroidery, appliqué, patchwork, papermaking, felting, crochet, knitting and collage.

How did you start selling online?

I haven’t managed to set up an Etsy shop yet, but I have details of items for sale on my websitewww.triciasmout.com.au.

Who or what inspires you?

When I decide to enter an exhibition or a competition, I find the theme or title often gives me the impetus I need to start jotting down ideas. 

Pat Russell’s tapestries and embroideries were my initial inspiration. 

I enjoy seeing how other artists incorporate lettering in their work. Denise Lach’s “Calligraphy: A Book of Contemporary Inspiration” is my current favourite.

 

Do you reduce, reuse, recycle as part of your creative process?  

As much as possible I do try to reuse things in my stash leftover from other projects, or things that others have discarded. 

Can you describe your workspace?

Now that my children have left home, I have bits and pieces in each of their bedrooms. Sadly I am not good at putting things away, so any vacant table spaces quickly fill up, and I have to resort to working on the kitchen table!

What is your favourite thing to make?

I need variety, so I enter as many competitions and exhibitions as I can to give me a creative challenge. 

I also really enjoy making multiples of my small books, which is very relaxing to do at night while watching TV documentaries. 

Where do you see your creative journey taking you in the next 12 months?

For the past two years, three friends and I have staged our “Shifting Seasons” exhibition in August at Richard Randall Studio, and we are doing it again this year.

I will continue entering competitions and exhibitions.

What’s your top tip to others wanting to break into the creative market?

Persistence and self-belief … and luck!

Describe your typical creative day?

It varies al lot. Some days I attend a craft group meeting, other days I work quietly by myself at home.

 Do you have a favourite quote?

“All the flowers of all the tomorrows are in the seeds of today.” Willa Hoey

“All glory comes from daring to begin.” Eugene F. Ware

Do you like to listen to Music or watch TV while creating?

I prefer to work quietly when creating one-off artworks, but I watch TV documentaries when I’m mass-producing multiples of my merchandise items.

What is your favourite handmade item that you have bought?

A commissioned embroidered letter “S” on handmade paper by Pat Russell. 

And two calligraphy artworks from Donald Jackson (official calligrapher to the Queen)

Where can we find you online?
My merchandise items are on my website -


I also have my work for sale at -
Scattered Arts in Camp Hill
The Hut in Samford
Aspire at Paddington
Redcliffe Art Gallery Shop and various craft fairs. 

How long have you been a member of BrisStyle?

I joined in 2012.

How did you find out about BrisStyle?

I first saw the BrisStyle girls at a “Finders Keepers“ market, but in those days you had to have an Etsy shop to be a member of BrisStyle. 

When I attended a talk at a local library in 2012 I found out I could now join.

Why did you become a member?

I hoped to be able to reach a wider audience who would buy my merchandise.

Why do you craft?

I need craft to keep me sane. I find it relaxing, and I get a real buzz when someone says they like my work.

Wednesday, April 12, 2017

Creative Space Visit - Raynbowcrowstudios


In February this year I was lucking enough to get an all access pass into the world of Bronwyn who is the human dynamo marbler behind Raynbowcrowstudios. She was the first of my studio visits I am going to be doing throughout the year.

I was just a tad excited to see what she did in her studio/workshop to make those fabulous marbled items. I'm sure there are a fair few of us out there that were introduced to marbling during their formative primary school years.







One of the things that make Bronwyn's space so amazing is the peaceful location and green front garden at her house. You pull up under a lovely lush tree and walk up some old stone stairs that look like they have been there since the 1950's.





Her space is set up in the rumpus room as we call it here in Australia under her house. The large glass sliding door looks out to a gorgeous hibiscus hedge. She shares it with her son and husband so there's also a drum set, guitar and a computer area.



I loved seeing her space whilst it was being used to create. It's great to have an area to let your creative side go wild.

The main item in her everyday marbling is her bath of liquid that she uses - I believe it is called "size". She has adapted a wonderful use of a table and frame that allows her to change the amount of size used to marble different things.

For a moment I was inspired seeing a bar fridge near her marbling table but it's only for the marbling.... I was wondering how I could fit one into my workshop. I'm still thinking even now.....






It was like watching an alchemist working when she was adding the colours to the size and then making patterns. It was a pleasure to watch. When I was there she was marbling paper and some of her amazing fans.





























She hangs them outside to dry on portable clotheslines that brought back memories of when my children were at preschool and it was so much fun to be able to help her hang her wet items.

I absolutely love plants as any of you who know me would know so it was terrific to see she has a Fiddle Leaf Fig outside! She was on trend so much earlier then most of us.



It was a fabulous morning and I can see by the amount of work and the amount of love she puts into her creations that anyone who gets to own any of them is a very lucky person!

Michelle xx




Monday, April 10, 2017

Megmakes

Hi Megan.

Were you creative as a child and do you come from a creative family?

I’ve never considered myself to be particularly creative, however when I think about it, I’m always attempting some sort of craft or renovation at some point! 

Both my grandmother and my aunt are incredibly creative and talented – perhaps some of their genes have been passed through!

How would you describe your work?

Fun, bright and bold!


How has your work evolved since you started?

I’m still quite new – I only started November 2016. So I’d say I’m still very much evolving. I can already see different patterns, colours and mediums used in such a short amount of time. 

I’m excited for the future!

How did you start selling on Etsy?

I created my Etsy page as an easier way for people to browse my items, previously I was receiving orders through Instagram and e-mail.


What inspires you?

Colour! 

I’m a huge fan of bright and bold colours. I also LOVE so many creative people on social media. 

I’m also inspired by a few clothing brands such as Gorman, known for their bold and funky prints, as well as Brisbane based designers Jericho Road Clothing.

Describe your workspace?

It used to be my coffee table! 

Luckily my husband has created me a studio from our spare bedroom with a standing work station and everything in arms reach. My back and physio are absolutely thanking me!

What is your favourite thing to make?

GIANT BRIGHT earrings!


How did your shop name come about?

My name is Meg! And I make, haha.

Where do you see your creative journey taking you in the next 12 months?

Hopefully I’ll be attending markets and being more involved with the BrisStyle community! Things have snowballed very quickly – so who knows where things may lead!

What’s your top tip to others wanting to break into the creative market?

Use social media and start connecting with others in your local community!

Describe your typical creative day?

It’s very chill – I think of MegMakes as my hobby rather than my small business, as I absolutely love creating. 

I’m still working full time in finance, so I’ll head into my studio after work (perhaps with a wine!) pop on a rotten show on Netflix (I’m currently a sucker for Pretty Litter Liars) in the background and start creating!

What is your favourite handmade item that you have bought?

I have so many! 

I adore my clutches from Tiff Manuell and my many earrings from Each To Own!

Where can we find you online?

https://www.instagram.com/meg.makes/

I have something in the works that’s due to be announced very very soon! So keep a look out!


How long have you been a member of BrisStyle?

I'm a Newbie.  Since December 2016

How did you find out about BrisStyle?

I follow a fair few crafters on Instagram that belong to this community, as well as attending many BrisStyle markets.

Why did you become a member?

I wanted to join this fabulous community and to be involved in the BrisStyle markets regularly.


Why do you craft?

I love it! It’s a fabulous outlet – and it results in fabulous accessories!

Thank you Megan, and I look forward to seeing you at the next BrisStyle market.

Monday, March 27, 2017

The Pink Plate

Hello Michelle 

Were you creative as a child? 

I was always creative as a child. I sewed, tried copper enamelling, pottery, macramé (it was the 70’s),  tie dye and anything someone would show me I had a go.

Do you come from a creative family?

My family was not very creative, but they allowed me to be creative. However, unfortunately when  I went to high school and told my parents I wanted to be an art teacher I was discouraged as my Mum was a teacher and she thought it was not a good choice. 

Not being allowed to do art as a subject at school, I became creative in other ways. 

I became a hairdresser and after finishing my apprenticeship I became a part time hairdresser and studied and worked as a fine arts jeweller.  After having children I returned to hairdressing, and in my 40s I started ceramics. 


How would you describe your work?

Let's not get too deep but my work is made though a very conceptual approach to the clay - I want it to tell a story in the end.

My work at first glance is quite conflicting and varying as I have a series of works that are fine and delicate and then I have a series that is robust and earthy. They both have underlying themes of nostalgia, and embrace imperfection. 

Here is a bit of the story:
The porcelain series highlights femininity, and both strength and fragility of the women and men before me, and grasps at capturing the ideals of appearances and things from the past - grandma's tea set, embroidered doilies, pearls, dressing up and afternoon tea. 

The series is based around my upbringing surrounded by spinster aunts, and childless uncles and the uncovering of stories of childlessness in marriages, secret adoptions, wartime brides left at the altar, war time poverty,  family scandal, and all the while the public appearance was sternly upheld and the pillars of society were celebrated by their peers. 


The family genetic pool is finished with my grandparents generation as all 13 of my grandparents’ brothers and sisters remained childless, and my mother was adopted. These porcelain works are embedded with all things that were considered of value and now remain only as memories. 

My stoneware range is conceived around the idea of the illusion of perfection. I had an idea to make a dinner set where no pieces matched and were all slightly imperfect. I make all my wares with a rustic haphazardness and disregard to be perfect, and often highlight the imperfections with gold.
I aspire to the idea that we begin to treasure, value and celebrate imperfection. 
The media celebrates perfection and I aspire to celebrate imperfection.


How has your work evolved since you started?

I think my arts practice has evolved to be a more subtle and restrained message to appeal to more people. I want my pieces to be more usable for day to day.


How did you start selling online?

I knew people liked my work and I thought there was a market to embed other people's treasured memories in clay, however I think I haven’t quite mastered how to promote this side of my work yet.

 Who inspires you?

I am inspired by a great potter Gwen Hanssen Piggott and the great artist Rosalie Gascoigne

Two great women artists who started art late in their life, just like me, and succeeded in their craft.

Do you reduce, reuse, recycle as part of your creative process? 

AbsolutelyWe recycle all waste clay if it is damaged or broken before firing. I re-wet the clay and turn it into casting slip. If it is fired, then I use the pieces where I can in mosaics or art pieces. 

I re-use objects which I press into my clay to leave impressions like cotton doilies, embroidered table mats, jewellery, keys. Sometimes metal objects are fired into my clay to create an interesting old rusted feel to them. 

I have solar powered electricity to run my home and kiln during the day.


Can you describe your studio space for us?

I have a fabulous new studio which is approximately 30 square metres of designated 'make mess' space.


What is your favourite thing to make?

My porcelain illuminators are my favourite thing, I roll it thin and impress it with my memory objects (like doilies, or keys, or whatever) and push the clay to the absolute thinness where it becomes so fragile it is a challenge to get it to the kiln.

And yet when it fires, the porcelain is so strong, so beautiful and if the light illuminates through it, there is a residual impression of what I have pushed into the clay.

And yet in some ways it is still so fragile - it says so much about what I want to say.

How did your business name come about?

Pink is the most beautiful colour in the world, it speaks of femininity to me.

Where do you see your creative journey taking you in the next 12 months?

I have learnt so much through being involved with this positive creative community of BrisStyle. 

The artist community don’t always want you to succeed as it is very competitive, so I hope to gain more exposure and have more interest in my work through this network of great people, as well as have some work in a retail outlet. 

Do you have a top tip to others wanting to break into the creative market?

Be passionate and true to yourself, and be prepared to spend a lot of time on social media and your administrative tasks. 50% practice 50% administration.

What is a typical creative day for you?

My days are about to change as all my children are finished high school now. So I guess it will be wake up late, read, do a bit of sunbaking…. jokes.

I wake up and lie in bed for an hour doing my social media and emails, at least one day a week I will spend doing research or any other admin tasks, other days I might do half a day but I try to head into the studio about 9am, break for lunch, back to studio until about 5-6 then do dinner and TV then bed 10.30-11pm.


What kind of music do you listen to while creating?

Abba, Katie Perry or Adele.

What is your favourite handmade item that you have bought?

When I was in my 20s I bought a hand sewn leather travel bag, it was so expensive but it's still going strong.

I also love my ceramics I collect around the world.

Where can we find you online/stockists?



I have selected works in Red Hill Gallery in Red Hill Brisbane.

How long have you been a member of BrisStyle?

Only 4-6 mths

How did you find out about BrisStyle?

Through a Facebook site I think.

Why did you become a member?

I needed some help refining my Etsy store - still working on it.

Why do you craft?

Because I can!

About 6 years ago I was a bedridden cripple, I have had two back surgeries and took a few years to really rehabilitate and recuperate. 

Clay and my arts practice gave me a reason to get up in the morning and start living.

Thank you Michelle.